Five Questions for... Helen Losse
The cover of your new poetry collection, Seriously Dangerous, has an arresting image of a burning cross on the cover. Tell us about the poetry inside and how the cover relates.
I chose the cover hoping to shock people and to associate the ācross without a saviorā mentioned in the title poem, āSeriously Dangerousā with the KKK. I begin the book with the epigraph from Oscar Wilde ā āAn idea that is not dangerous is unworthy of being called an idea at all.ā Seriously Dangerous is a book whose aim is to get a person to question (re-evaluate) his/her own values; those who do not question themselves will not grow. The world is filled with more questions than answers. People who know all the answers might need some new questions. The first poem, āThe Danger of Pretense,ā poses the question, āAre we a people / apart from the fury?ā Let me paraphrase, Are we all Americans, when it isnāt 9/11?, or Do we all feel the same about the Fourth of July? And then in āEvergreen Today,ā āBut what can I contrast beauty to, /if I donāt see abandoned ugliness, /through my window toward the world?ā In the Western world, we have ben trained to think in terms of opposites. Or consider āJust Saying,ā where no (stated) question appears.
Just Saying
I have been suspended upside down
in a car.
Sliding off the road,
we rolled slowly, then hung
suspended by seatbelts
until free but claustrophobic.
We rested in a roof-cradle.
And when we escaped
by kicking a door open, I did not
think of anything but prayer.
But of course, there is a question I didnāt ask: How does what I believe, āsuspended upside down / in a car,ā relate to a burning cross? Iām a poet not God. Each of us must ask and then answer his/her own questions. And there is the cross that does hold a Savior. Does He matter?
Faith plays a big part in your writing, yet you're not pushy or radical about it. Can you talk a little about that?
Collin, I never back away from saying, I am a Christian, but I do try to disassociate myself from those who want to share their beliefs through fear rather than love. Iāve been a part of the high pressure tactics that aim to gain control of a conversation and then ask, āIf you were to die tonight, do you know where you would spend eternity?ā I find that approach obnoxious, and I donāt want to be known as an obnoxious Christian. Iām happy to discuss my faith with anyone who asks, but I donāt know more about your life than you do. Honest. The reality is, more people have thought about their beliefs than one might suspect and not all questions about God (and life in general) are answered easily. It takes a lifetime to know what we actually believe, because our faith is (or should be) constantly changingāhopefully, growing. Not so, if you just pull verses out of context to prove your point, but thatās not the kind of Christian I want to be. I want to be a fully human Christianāone with more questions than answers. I think God loves everyone, and it is āseriously dangerousā to believe He loves some more than others.
You've worked with some great small presses, like Main Street Rag. Talk about your interactions with them and your feelings on working with small and micro presses.
With two chapbooks and two full length collections of poetry, Iāve been published on four small presses. Gathering the Broken Pieces was on FootHills Publishing, and Paper Snowflakes was on Southern Hum Press, which is now out of business. I retain good relationships with the editor/publishers of these presses: Michael Czarnecki of FootHills and Jessicca Daigle Martin, who now teaches in Texas. My first full-length book, Better With Friends, was picked up by Rank Stranger Press in 2009. Seriously Dangerous, was published by Main Street Rag Publishing Company earlier this year. M. Scott Douglass, MSR publisher, has published more poetry books than any other small North Carolina press, so I was glad to get my book accepted there; Iām in very good company. Rank Stranger Press will be publishing Mansion of Memory, a re-publication of Paper Snowflakes, plus a few extra poems, early next year. Proceeds from this chapbook will go to Joplin Bright Futures Tornado Fund. Joplin, MO is my hometown, and I felt I wanted to do something to help with the re-building effort after the May 22 tornado.
Who are some contemporary poets you admire and why?
I studied poetry with Jane Mead at Wake Forest University, where I got my MALS in December 2000. Jane influenced me more than anyone. I admire the risks she takes and how each book reflects her growth as a citizen of the world as well as a poet As a teacher, Jane encouraged each of us to find our own voices. Because of Jane, I think I have. I also met Dennis Sampson at Wake Forest. He encouraged me to write simple, straightforward sentences. Tim Peeler is a poet I admire for his work ethic and understated brilliance. He locates the unique detail in the ordinary image and makes crafting a poem look simple by paying attention to grammar. Then he shocks his reader with his vocabulary, which is vast. He writes about what he knowsālived or researchedāin a natural way. He makes writing seem as natural as breathing.
You've been blogging forever ā what's your personal take on the state of the blogosphere?
Blogging foreverā¦sometimes it feels that way, doesnāt it? Iāve been blogging so long that I even forgot my own blogiversary last year. Do we still have those? I started Windows Toward the World in February 2006 as a place to showcase my poems. Over the years, itās been a poetry blog, a place for political comment, and a place to post daily devotions. Iāve ignored it a lot in the last couple of years but still keep all my links there and update pages for my scheduled readings, comments and reviews on books. Facebook has taken time from my blog. As to my personal take on the state of the blogosphere: Not really sure. My blogās name was also the working title for my first bookāthe one that became Better With Friends, when we learned of a friendās cancer just as the book was about to go to press. I actually have a window, am looking through it right now, with a view to our back yard. I still like that title and may use it for a future book. Everyoneās view is limited, and weāre better off if we understand how those limits work. I still think about naming a book after the blog.
Visit Helen's blog at this link.
I chose the cover hoping to shock people and to associate the ācross without a saviorā mentioned in the title poem, āSeriously Dangerousā with the KKK. I begin the book with the epigraph from Oscar Wilde ā āAn idea that is not dangerous is unworthy of being called an idea at all.ā Seriously Dangerous is a book whose aim is to get a person to question (re-evaluate) his/her own values; those who do not question themselves will not grow. The world is filled with more questions than answers. People who know all the answers might need some new questions. The first poem, āThe Danger of Pretense,ā poses the question, āAre we a people / apart from the fury?ā Let me paraphrase, Are we all Americans, when it isnāt 9/11?, or Do we all feel the same about the Fourth of July? And then in āEvergreen Today,ā āBut what can I contrast beauty to, /if I donāt see abandoned ugliness, /through my window toward the world?ā In the Western world, we have ben trained to think in terms of opposites. Or consider āJust Saying,ā where no (stated) question appears.
Just Saying
I have been suspended upside down
in a car.
Sliding off the road,
we rolled slowly, then hung
suspended by seatbelts
until free but claustrophobic.
We rested in a roof-cradle.
And when we escaped
by kicking a door open, I did not
think of anything but prayer.
But of course, there is a question I didnāt ask: How does what I believe, āsuspended upside down / in a car,ā relate to a burning cross? Iām a poet not God. Each of us must ask and then answer his/her own questions. And there is the cross that does hold a Savior. Does He matter?
Faith plays a big part in your writing, yet you're not pushy or radical about it. Can you talk a little about that?
Collin, I never back away from saying, I am a Christian, but I do try to disassociate myself from those who want to share their beliefs through fear rather than love. Iāve been a part of the high pressure tactics that aim to gain control of a conversation and then ask, āIf you were to die tonight, do you know where you would spend eternity?ā I find that approach obnoxious, and I donāt want to be known as an obnoxious Christian. Iām happy to discuss my faith with anyone who asks, but I donāt know more about your life than you do. Honest. The reality is, more people have thought about their beliefs than one might suspect and not all questions about God (and life in general) are answered easily. It takes a lifetime to know what we actually believe, because our faith is (or should be) constantly changingāhopefully, growing. Not so, if you just pull verses out of context to prove your point, but thatās not the kind of Christian I want to be. I want to be a fully human Christianāone with more questions than answers. I think God loves everyone, and it is āseriously dangerousā to believe He loves some more than others.
You've worked with some great small presses, like Main Street Rag. Talk about your interactions with them and your feelings on working with small and micro presses.
With two chapbooks and two full length collections of poetry, Iāve been published on four small presses. Gathering the Broken Pieces was on FootHills Publishing, and Paper Snowflakes was on Southern Hum Press, which is now out of business. I retain good relationships with the editor/publishers of these presses: Michael Czarnecki of FootHills and Jessicca Daigle Martin, who now teaches in Texas. My first full-length book, Better With Friends, was picked up by Rank Stranger Press in 2009. Seriously Dangerous, was published by Main Street Rag Publishing Company earlier this year. M. Scott Douglass, MSR publisher, has published more poetry books than any other small North Carolina press, so I was glad to get my book accepted there; Iām in very good company. Rank Stranger Press will be publishing Mansion of Memory, a re-publication of Paper Snowflakes, plus a few extra poems, early next year. Proceeds from this chapbook will go to Joplin Bright Futures Tornado Fund. Joplin, MO is my hometown, and I felt I wanted to do something to help with the re-building effort after the May 22 tornado.
Who are some contemporary poets you admire and why?
I studied poetry with Jane Mead at Wake Forest University, where I got my MALS in December 2000. Jane influenced me more than anyone. I admire the risks she takes and how each book reflects her growth as a citizen of the world as well as a poet As a teacher, Jane encouraged each of us to find our own voices. Because of Jane, I think I have. I also met Dennis Sampson at Wake Forest. He encouraged me to write simple, straightforward sentences. Tim Peeler is a poet I admire for his work ethic and understated brilliance. He locates the unique detail in the ordinary image and makes crafting a poem look simple by paying attention to grammar. Then he shocks his reader with his vocabulary, which is vast. He writes about what he knowsālived or researchedāin a natural way. He makes writing seem as natural as breathing.
You've been blogging forever ā what's your personal take on the state of the blogosphere?
Blogging foreverā¦sometimes it feels that way, doesnāt it? Iāve been blogging so long that I even forgot my own blogiversary last year. Do we still have those? I started Windows Toward the World in February 2006 as a place to showcase my poems. Over the years, itās been a poetry blog, a place for political comment, and a place to post daily devotions. Iāve ignored it a lot in the last couple of years but still keep all my links there and update pages for my scheduled readings, comments and reviews on books. Facebook has taken time from my blog. As to my personal take on the state of the blogosphere: Not really sure. My blogās name was also the working title for my first bookāthe one that became Better With Friends, when we learned of a friendās cancer just as the book was about to go to press. I actually have a window, am looking through it right now, with a view to our back yard. I still like that title and may use it for a future book. Everyoneās view is limited, and weāre better off if we understand how those limits work. I still think about naming a book after the blog.
Visit Helen's blog at this link.
Comments
a poetry-prophet of sorts. I like how her personal connection to God/Peace often manifests in her (various) poems. Thanks Collin for this remarkable interview. :Dja